Digital Ischemia

15/09/2018

Signing Your Life Away part 1/2

A workplace relationship is a casualty of lame criminality, but by-catch can come back to bite.

SCENE 1
FELIPE: (V.O.) Never have a personal relationship with a colleague. (PAUSE) Not even if it’s the best thing to happen in your life? Is it worth the price? See what you think. One day I came home to no-one.
SOUND: EXTERNAL DOOR BANGS
FELIPE: Alice?
FELIPE: (V.O.) I was organising a local crafts festival. If you’ve heard of it, it will be for the wrong reasons. In any case, it barely ran once and it doesn’t exist anymore. She—Alice—was designing the artwork: brochure, leaflets, posters, signage. Straightforward except that I kept changing not just the participants and the timings and the locations, but the whole atmosphere and the audience profile. I was over-reacting. I was under-experienced. She was—
ALICE: You’re certainly challenging. I suppose this is good exercise for me: I do the work five times over and eventually you come back to where we started? (CHUCKLE)
FELIPE: I’m sorry. Artists keep dropping out; they don’t like how it’s shaping up, so I change it, so others change their minds. It’s like herding bees.
FELIPE: (V.O.) We didn’t meet through work; I didn’t employ her because I liked her; we just discovered—
ALICE: Are you stalking me? Oh! You’re Director Felipe and also Hill Runner Phil!
FELIPE: I have multiple personalities.
ALICE: I think it would be sexier to say ‘multiple identities’.
FELIPE: (V.O.) She said “sexier”. I was hooked. I rented a flat to be on site. She stayed with me whenever she was up to consult on the project. She made everything easier, more fun. She made me less of an idiot. Then she vanished.
SOUND: TABLET, KEYS DROP ON COUNTER
FELIPE: Alice? You here?
FELIPE: (V.O.) I called her phone.
SOUND: TAPPING, PHONE RINGING OUT
FELIPE: (V.O.) By eight o’clock I was calling colleagues.
FELIPE: Is Alice down there? I thought maybe she was taking photos of the aqueduct? (PAUSE) OK, she must be on her way back. Cheers.
FELIPE: (V.O.) By ten o’clock I was calling everyone, anyone.
SOUND: TAPPING, PHONE RINGING
FELIPE: Hey, it’s Felipe. Is Alice with you? (PAUSE) No, I called him already. (PAUSE) She’s not answering. (PAUSE) She left there…six hours ago. (PAUSE) Yeh, I’m getting worried.
FELIPE: (V.O.) By two AM I was calling the nearest hospital, the police.
FELIPE: Her clothes?
FELIPE: (V.O.) They had me check in the wardrobe, the bathroom. Most of her clothes were gone, her toothbrush, her special bread without the wheat. She had planned to leave. I just felt like a twat as the officer tactfully explained they don’t get involved when it seems to be a relationship issue. A ‘relationship issue’? How did I not know? Was I that much of an idiot?

SCENE 2
FELIPE: (V.O.) I didn’t sleep. Next day I went to work. Somehow I thought I’d see her there.
SOUND: WIND BUFFETS CLOTHING
THERESE: Not seen her. Maybe she’s working at home?
FELIPE: (V.O.) I barely took in what people were saying to me. I was totally focused on Alice.
THERESE: Felipe, go for a run, go home. Maybe she’ll surprise you?
FELIPE: (V.O.) I went. I got a surprise.

SCENE 3
SOUND: STEPS ECHO IN STAIRWELL
FELIPE: Carl, can you work from my flat this afternoon?
CARL: (D) No bother. You got workies in?
FELIPE: Alice has apparently fucked off without bothering to speak to me but she still has keys and I can see she’s been back this morning taking stuff.
CARL: (D) What?!
SOUND: EXTERNAL DOOR CLICKS, BANGS. BG WIND BUFFETS, TRAFFIC. STEPS ON PAVEMENT.
FELIPE: I mean her stuff.
CARL: (D) Doesnae seem like her. Is she alright?
FELIPE: Well, clearly she’s fine. But I need to be on site this afternoon so I need you to sit here in case she comes back again.
CARL: (D) You want me to keep her there?
FELIPE: No, I think that would be illegal. Just ask her what’s going on.

SCENE 4
FELIPE: (V.O.) So he did.
SOUND: PACKING BOX, SLIDING BOX ACROSS FLOOR
CARL: Apparently I’ve no’ to try to stop you leaving, but could you no’ just speak to him?
ALICE: You’re his friend; I won’t try to turn you against him. If he hasn’t told you what he did.
CARL: He says he’s nae idea, and I certainly dinnae ken, so you may as well tell me.
ALICE: Sacked me.
CARL: Eh? But that’s no reason to walk away fae him, fae this.
ALICE: I think lying to me is.
CARL: Aye, come to think of it, was he no’ saying last week everyone was getting extended?
ALICE: How could he say so to my face then sack me?
CARL: Here; have a wee seat. I’m no’ surprised you’re a’ rattled.
SOUND: CHAIR FOAM HISS
ALICE: I’m horrified! I feel constantly sick! He totally betrayed me. How could he be so cold? Even just professionally? So I’m finished here. Not well managed but nothing illegal.
CARL: And personally?
ALICE: Who have I gotten involved with? Someone who could consciously mislead me?
CARL: Dinnae look at me. I’m baffled. I’d swear he doesnae ken, but. Where are you staying?
ALICE: Sorry but not your business.
SOUND: GRABS BAGS, BOX
CARL: I willnae tell him. I just— Something feels wrong about this…apart from the obvious. If something kicks off I’ll maybe need to get a hold of you.

SCENE 5
FELIPE: (V.O.) Then he told me.
SOUND: WIND BUFFETS CLOTHING, BG TRAFFIC
CARL: Apparently you sent her a letter?
FELIPE: Why would I—?!
CARL: I dinnae ken! The whole thing’s daft!
FELIPE: Well, after you called I checked her file and there’s nothing weird there.
CARL: No copy letter?
FELIPE: Did she seem…at all…delusional?

SCENE 6
FELIPE: (V.O.) Other wheels were coming off too.
SOUND: WIND BUFFETS CLOTHING, BG BIRD CALLS
FELIPE: Therese!
THERESE: I thought we were meeting an hour ago?
FELIPE: I know; I’m sorry. I got held up with…everything. Just tell me your little snags are under control and aren’t getting worse.
THERESE: Felipe.
FELIPE: Please tell me you haven’t got a staff issue? (PAUSE) Therese?!
THERESE: Can’t lie. I have a staff issue.
FELIPE: (V.O.) Therese’s team move display furniture about between sites. They’re a well-oiled machine. When there’s enough cogs.
FELIPE: What is going on?!
THERESE: You tell me. You sacked three of our contractors. We can’t just stretch to fit whatever workload. A heads up would’ve been nice.
FELIPE: (EXASPERATED EXHALE) How did I allegedly do this?
SOUND: PAPER CRACKLES
FELIPE: OK, that is my signature.

SCENE 7
FELIPE: (V.O.) I was teetering on paranoid hysteria. If that’s a thing.
SOUND: PAPER RUSTLE
FELIPE: What’s still to be filed, that Nancy or her replacement left?
GREG: Nothing.
FELIPE: There must be record of changes somewhere?
GREG: I don’t have a password for the system yet.
FELIPE: Right, we’ll use mine. Can I just check: have you had a letter saying you’re sacked?
SOUND: TYPING
GREG: Hope not. Only started yesterday.

SCENE 8
SOUND: TYPING, INTERNAL DOOR OPENS
GEMMA: Felipe?
FELIPE: Thanks for coming over so quickly, Gemma. I don’t know where to start. I think something is seriously wrong in the admin. I need someone completely independent to investigate.
GEMMA: How wrong? Do we need to alert lawyers?
FELIPE: I don’t know. Probably. Can you just take a look first?
GEMMA: Walk me through.
FELIPE: Several of the contractors received letters, apparently from me, telling them their contracts aren’t being renewed. We just do it on a month-to-month basis for—
GEMMA: “Apparently”?
FELIPE: Signed by me but not agreed…I don’t know. That’s just the start of it. There’s no record of any changes but when I looked at all their electronic files, just by chance, I noticed one had a new bank account. I happen to know because…because she’s—she was—my girlfriend.
GEMMA: Still not exactly high treason.
FELIPE: Until you see that everyone who got let go has the same bank account.
GEMMA: Why would they share an account?
FELIPE: Well, obviously they don’t.
GEMMA: Obviously?
FELIPE: Sorry, I mean I asked one guy who hasn’t stormed off in disgust yet. Someone changed it without his knowledge. His wages aren’t going to him.
GEMMA: Not if he’s been terminated.
FELIPE: That’s the thing: on the system he’s still live—still a current employee. They all are—all the folk who’ve been written to.
GEMMA: So they stop working but their wages are all going into one pot somewhere else? It seems pretty amateur as an embezzlement scam.
FELIPE: Except for the scaling. This is happening right across the project. And I wouldn’t have put it together nearly so fast if it hadn’t been that one of them was…my—

SCENE 9
FELIPE: (V.O.) I know Gemma from college. She’s always gone at things with her teeth.
GEMMA: Alice? This is Gemma Cairney. I’m auditing the Canal Festival administration.
ALICE: (D) How did you get this number?
GEMMA: It’s one of the accurate pieces of information in your file. There appears to have been an abuse of…procedures.
ALICE: (D) I don’t work there—
GEMMA: I know. That’s part of the issue. Can we talk?

SCENE 10
SOUND: BG CAFÉ CROCKERY CLINKS, CUSTOMERS CHAT
GEMMA: (CONFIDENTIAL) I can’t give it a legal label, but it appears to be a clumsy attempt at fraud.
ALICE: Yes, I missed that personality: Felipe the Fraud.
GEMMA: I’m aware of your relationship. Felipe brought me in because he noticed the anomalies.
ALICE: I think it’s called dissociative disorder. He can get professional help.
GEMMA: I understand you feel aggrieved – justifiably. Can I explain where we are? I’m hoping you’ll feel in a position to help.
ALICE: (SPLUTTER) To help him out of being incompetent and slopey-shouldered?!
GEMMA: We need more evidence before we can get a legal intervention – the bank won’t give out who the destination account is registered to. Apparently you can put any name on a cash transfer – I could put your name beside my account details and—
ALICE: Yes, I think I experienced this already.
GEMMA: Of course, but what I mean is: banks don’t verify that the label matches the account holder. The money just comes in and they shunt it according to the account numbers.
ALICE: And yet they’re so hot on security when it suits them to hassle you.
GEMMA: We’re…examining actions taken by the temporary PA who covered after Nancy left—Paula—Felipe says the Chairman—Lawrence—brought her in.
ALICE: Did she fake Felipe’s signature?
GEMMA: No, he thinks he did sign them, just—
ALICE: (SPLUTTER) You know, I am really quite busy now, with trying to find a new job.
GEMMA: —but this is the point: he was misdirected. Obviously he realises he should’ve given them his full attention—
ALICE: I think this is what your signature means?
GEMMA: —but Paula— Felipe feels he was rushed—coerced. She had some fluster about a broken printer and catching the post.
ALICE: And we must take his word?
GEMMA: We’re hoping to—hoping you can help us get some evidence. We want to ask some questions (FADE)
FELIPE: (V.O.) Gemma said Alice was pretty hard work—hard to convince. I don’t blame her. I looked like a complete shit from where she was. But luckily for me she hadn’t totally stopped caring. That gave me a tiny bit of hope in the midst of the tornado. Not just about saving my professional credibility.

SCENE 11
FELIPE: (V.O.) Alice agreed to play bait to try to entrap the chairman, Lawrence, so long as she didn’t have to speak to me. She started spending some of her new-found free time at the local gym, because the only thing we knew was Paula the temp. was a member. It wasn’t much of a stretch for Alice to say to anyone who would listen that she was desperately looking for quick work after getting sacked. I appreciated that; I know how she hates ‘networking’.
SOUND: STEPS ON PAVEMENT, BG TRAFFIC
ALICE: Gemma? This is exhausting.
GEMMA: (D) Just think how fit you’ll be!
ALICE: No, the making conversation with everyone. These people are not on my wavelength!
GEMMA: Have you met Paula?
ALICE: I was so pissed off I think she believed me. She gave me details to meet this guy with some vacancies for office work.
GEMMA: (D) Lawrence?
ALICE: She said he has all sorts of businesses and some need…streamlining.
GEMMA: (D) That’s an interesting word.
ALICE: There’s just one problem.
GEMMA: (D) Why’s he employing clerical staff rather than business consultants?
ALICE: Lawrence and I have a history.

concludes at part 2

Advertisements

1 Comment »

  1. […] Signing Your Life Away began at part 1. […]

    Pingback by Signing Your Life Away part 2/2 | Digital Ischemia — 16/09/2018 @ 17:46


RSS feed for comments on this post. TrackBack URI

Leave a Reply to Signing Your Life Away part 2/2 | Digital Ischemia Cancel reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Blog at WordPress.com.

%d bloggers like this: