Digital Ischemia

31/10/2019

The Case of the Missing Duvet

A macabre, unexplained and slightly true mystery.
The Case of the Missing Pillow would of course be a witty title, but for reasons that will become obvious, like the tablecloth trick, that didn’t happen.

I wake in the night. After a few moments mentally orienting myself, I realise I feel chilly; I don’t feel my duvet. I spread-eagle and swish my limbs to reach the extents of the mattress, but nothing. I lean over each side of the bed, expecting to glimpse a patch of lighter dark on the floor, but nothing. I haul myself up to sitting and peer over the foot of the bed: nothing.

Bewildered, with no further strategy, I get up and head for the toilet. The corridor zigzags from a skylight outside my bedroom past a loft cupboard, the shower room, along beside the stairwell and under another skylight, to my sister’s bedroom door, at the head of the stairs.

As I approach the sliding door of the shower room, and reach my hand to the light switch, my eyes are still looking ahead, to where the corridor makes its next zig, or zag, beyond the end of the wall. I see that longed for patch of lighter dark protruding around the corner.

My duvet lies in a dragged, crumpled heap at the midpoint of the corridor. What dramatic and cool irony had it been my map of the world duvet cover, but no. Floral number. Pink. With frills.

With no street lights, at night that corridor is lit only by the moon or suspicious cloud glow. Such wispy whiteness is enough to find your way with sleepy eyes and feeling fingers and stubbable toes. But who is the figure wandering abroad, carrying the weight of a duvet?

Perhaps the child frets in her sleep, wrestling with the emotional challenges of yesterday and tomorrow, as translated into virulently coloured and textured blobs which loom and recede uncomfortably in her imagination. The awful weight of unflattering parental authority becomes manifest and externalised. Gratifyingly, it can now be physically discarded.

Perhaps the other child fancies revenge for any of a multitude of mean tricks: “the teeny grapes are the sweetest” and suchlike. That sibling awakes, tormented by the relentless cruelties. She contemplates screwing a Fisher-Price figure into an eye-socket. Kneading Play-Doh into hair. Spooning green poster paint down a manipulative gullet. Fisting nettles up the bum.

Perhaps upon the first sleeping child’s forehead an eldritch circle lights up, like a very small gas hob. Aurora strands dance out through the translucent skin and over the duvet. The fabric quivers then slowly lifts and drifts across the room. At the door it is abruptly arrested by snagging on a doorframe splinter then petulantly yanked onward.

A long time I have waited to resolve this conundrum. I shall know. There must be a perpetrator. There must be retribution. I shall have my glorious rewengay.

One hundred and sixty patient years later I shall approach the bed of my irascible irasibling, stepping carefully around the snoring chicken, wheeling silently my well-greased, domestic-sized crane. I shall arrange the rigging, lock its feet, and attach each of the four grabs to a corner of her moth-eaten, dribble-sodden duvet. I shall resist the exquisite temptation to toss every heavy object in reach upon it, including my dainty self, and said mini crane. I shall not press and press all the guilty air out of her malign lungs.

No. In a trice I shall reel up and float that equivalent quilted smotherance out, out and away. But only so far. I shall carefully, carelessly position it halfway down the corridor, ideally swiping it through some unspeakable filth. I shall melt back into the night. I may shudder considerably with stifled cackling.

Then I shall nip back to retrieve my incriminating hoist. One of the wheels will jam between floorboards or paving stones, and while I skilfully, silently wrestle it back into motion, I shall realise I still haven’t elicited a confession. Drat.

But then, I shall say nothing for millennia.

29/10/2019

Rhett Riding-Hood and the Wolf

Filed under: Shorts — Tags: , , , , , , , , , , , — Teepwriter @ 11:00

Once upon a town, which was in Northern Ireland, and thus pronounced ‘tine’, Rhett set out to visit her grandmother, carrying the obligatory basket of poisoned apples. Her bright red cape billowed in the wind, whipping and snapping like a flag. Or a rag. And someone was watching. And snapping.

Rhett followed the footpaths, and, when these ran out, the winding tracks through the woods. She was completely unafraid, as she had walked these paths twice already. Several times she deviated, and even wandered right off the path, because she saw some pretty little flower and had an urge to crush it. Or heard a delightful chirruping bird and simply had to swat it with the brim of her enormous detachable hood. She would carefully lift whichever bruised, tattered remnants and stuff them into her basket.

Just at the point when she was finding the whole thing tedious, she approached her grandmother’s cottage. However, having visited twice before, she noticed something had changed. On one side of the cottage, where her grandmother’s vegetable garden had rewilded itself into a dense tangle of strangulating bushes and vines, the ground was now completely bare.

Not completely bare. There were Power Tools. Also a lot of loud noise. Three Power Tool Operators were shouting abuse at each other over the din of their assorted water-jet, hedge trimmer, drill, hammer, paint sprayer, chainsaw, strimmer, of which they were each wielding at least two, to demonstrate their personal Power.

In mid gasp, Rhett became aware of a tremendous force bearing down on her from one side. A toy bulldozer crashed out of the woods, fountaining splintered twigs, and dunted into her ankle. A boy climbed out and launched a stream of age-appropriate unpleasantries, such as “you dirty pants, you bogey nose, you smelly brain.” Rhett frowned at him in puzzlement and eventually he got bored and started kicking his toy bulldozer.

Meanwhile the noise of the Power Tools had increased, due to them getting nearer. Rhett found the volume unbearable and so stuck her fingers in her ears as she squinted at the unpleasant encroachment. Accompanied by the muffled cacophony, she watched the three operators mouthing obscenities and gesticulating aggressively. She tried to insert her questions between their shouts, but it made no difference to their behaviour, and in her head her voice sounded ridiculous.

Still the three operators loomed closer and closer, and the wielding of the Power Tools became ever more threatening, and the stupid boy with the toy bulldozer kept ramming Rhett’s ankle. In sticking her fingers in her ears, she had dropped her basket, and notwithstanding some of the contents already being the worse for wear, the whole lot was unceremoniously bulldozed into a mess of twiglets. Rhett snapped likewise. She shrieked as loud and long as she could, birled about, and charged off in a direction roughly away from the cottage.

As the droning and whining in her ears faded, she unplugged her fingers. Around this time she also thought to open her eyes properly and see where she was going, according to the diverting lashings of brambles and buffetings of tree roots. This was just in time as the end of the world suddenly rushed up.

Rhett stopped running and teetered above a crevasse of rocks, shaped like an uneven stack of pencils, descending into the ocean. In her frazzled state she was quickly mesmerised by the hexagonal pattern, the way you can hypnotise a chicken with a straight line, and her brain activity mostly suspended.

All this drama was observed by a mini drone that looked like a Snitch from a Potter-esque game of Quidditch, i.e. a tiny but unfeasibly heavy brass ball, but with non-enchanted mechanical wings, wheeling and hovering overhead.

Back beside the cottage there was an executive sort of disturbance in the undergrowth. Russell? No, ’twas the Ginger Avenger with his sturdy helmet bobbing about, glinting in the—
“Unacceptable name! I require something considerably more—”
Do not deviate from the narrative. Do not address the narrator directly.
“To whom should I address my complaint?”
There will be ample opportunity to discuss any issues of casting, character authenticity, plot flaws et cetera once the draft is circulated.
“Corrections will be retrospective?”
Find and replace. Move along now.

The GA (pending) rippled with… brine, ebbing from his recent constitutional dunking. As a consequence of which, any fish thereby attached to his person were entirely coincidental and claimed as legal salvage. He swished decisively, removing any debris from his path ahead. For this purpose he had judiciously acquired a crooked cane, which was also expedient for the removal of unfunny entertainers, inept service providers, and unwanted companions.
“And inappropriate appellations. And truculent narrators.”
Never mind.

As the GA (TBC) strode into the throng, the noisy Operators cowered and grovelled. Assorted motors ground to halts.
One of the now quieter Operators bleated, “are you the police?”
The GA pointed out wearily, “observe helmet. Larger than polis ones, yes? Thus I smite them.”
The erstwhile noisy Operators glanced among themselves, wondering and fearing the exact definition of the word ‘smite’ and its possible application to themselves. And how much damage that helmet might do, especially around the edges.

As if this weren’t enough, another lesser and less prepossessing character emerged surreptitiously from the undergrowth, having first ascertained that his predecessor has established superiority. The GA gestured an introduction for this newcomer.
“Flat-head Peter is my sidekick; he—”
“I do feel I have been mis-cast. I should have a more prominent role.”
I refer the unprepossessing gentleman to my earlier response. Carry on.
The GA continued, “Peter assists me in the poaching of fish.”
Peter jolted. “Just to clarify: ‘poaching’ relates to cooking.”
The GA was supremely nonchalant. “Secure these pests. I shall retrieve the heroine.”
“Of course. You help yourself to the fun bits.”
The GA raised an eyebrow. Peter unhitched shears from his pack and grudgingly set to work.
“Apply the polyethylene fibres and record everything they say.”
The suddenly silent Operators squirmed incontinently, as they were suddenly filled with hellish visions of fibreglass and asbestos type tortures.

They were quite wrong, of course. The GA was merely suggesting to Peter a convenient use for the non-biodegradable twine that he was supposed to have been weaving. This was the most expedient way to get rid of the billions of plastic microfibres his flat-cap had attracted by static electricity during the recent fishing, ahem, swimming expedition.

The GA fished in a pocket and dextrously thumbed knob and rolled ball. He extracted a remote control device and pointed it skyward. The mini drone whined obediently into view, screeched a U-turn and appeared to beckon with a wing. The GA accordingly switched his way seaward, along the path indicated by the heroine’s spoor of bloody brambles and twigs waving tiny flags of torn fabric. He was of course well practised in bushcraft.

Shortly thereafter the swaying Rhett was deftly yanked from the jaws of danger and squish by a crooked stick. Her brain resumed something approaching normal function and her eyes took in this Ginger Avenger.
“My mother told me to beware of a wolf in striped clothing.”
“Wolf? No, I’m Wilf!”
“Rhett.”
“No, just Wilf. And I’m sure it was about sheep…”
“Perhaps; she wouldn’t wear less than cashmere.”

Rhett’s writhing hood flapped unhelpfully across her face. Once again the crooked stick was employed to efficient effect.
“Thank you. Who were those horrid creatures?”
“Those mendacious mercenaries have planning permission to raze the area. They plan to build a, ugh, tourist facility to exploit the Dwarf’s Causeway, or Causewee as they’ll probably nauseatingly label it.”
“What about Grandmother’s cottage?!”
“Technically your grandmother is squatting.”
“She suffers from nodules.”
“Has she tried fish?”
“Oh, yes, that’s why she lives by the sea; she loves watching their acrobatics.”
The GA glanced at the dry-curing danglements from his fishbelt. “Ah. Leeks?”
“Only if she squats too quickly. But I’m fond of seafood.”
“Can I interest you in a Three-fish Mess Marinara?”
“Only three?” Rhett eyed his scaly accoutrements.

On returning to the cottage and its desertified grounds, Rhett and the GA found a collection of neatly bound annoyances. The appearance was of a giant spider’s lair, but that would be a whole other story. Peter the sidekick was, however, absent.
The GA demanded, “where’s Peter?” Silence. Stillness. “I’ve always wanted to do this.” He flexed his fingers then snatched some gaffer tape off one intruder’s mouth. Wails ensued.
The intruder admitted only that Peter was “gaun.” No mention of his obsessive muttering about being destined to vanquish a wolf.

Rhett twinkled with an rash idea. “I shall be your sidekick. I have… skills in… macabre things.”
The GA widened his eyes in alarm. “He’ll be back. Thinks he can set up a rival avenging business. Fool.”
“He doesn’t even have a proper helmet.”
“You don’t have a proper cloak!”
“What’s wrong with it? It billows! It hides all sorts.”
“It’s irretrievably fankled! My cloak is far more… cloaky. Properly cloaky. Like a cloaking device.”
Insofar as the intruders’ eyeballs were able to move below their encasing mesh of twine and tape, there was rolling.

Grandmother emerged from the bottom drawer where she had been lately hiding and was thoroughly enthralled by Rhett’s withered, trampled, pulverised offering. The intruders were roasted on an open fire, made of the suddenly abundant kindling, then released by skilful prodding with the crooked cane when they became insufficiently entertaining, as the GA was not in the mood for sausages. Rhett found their dripping marinated the fish marvellously. The GA commented, “I always find fire works.”


 

Inspired by Supporting a good Cause, along with a diverse list of bizarre narrative milestones, most of which the above manages to clonk into.

03/10/2019

Pratchett’s Prescience

Terry Pratchett’s Discworld counterpart for Capability Brown, Bloody Stupid Johnson, offers mindwarping clues to understanding our present political predicament

Lancelot Brown (born c. 1715–16, baptised 30 August 1716 – 6 February 1783), more commonly known with the byname Capability Brown, was an English landscape architect. He designed over 170 parks, many of which still endure. He was nicknamed “Capability” because he would tell his clients that their property had “capability” for improvement.
https://en.wikipedia.org/wiki/Capability_Brown

Ironically his poor mother was too early to receive this assessment of potential, hence the inordinately long labour to bring Lancelot into existence. 250 years later, modelling one of his incidental, recurring characters on Brown, Terry Pratchett went three better.

Perhaps the Discworld’s most notable inventor is Bergholt Stuttley “Bloody Stupid” Johnson, an architect whose ability to get things wrong bordered on mythical. Although evidently able in certain fields, Johnson is notorious for his complete inability to produce anything according to specification or common sense, or (sometimes) even the laws of physics. This fact never stopped him from trying, however.

Johnson was not incompetent, far from it; indeed in many ways he was a kind of genius. Pratchett suggests on numerous occasions that he possessed a kind of “inverse genius;” as far from incompetence as genius but in the opposite direction. … While π ≈ 3.142 is a fundamental constant, in the backstory to Going Postal Johnson manages to produce a wheel for which π = 3 as part of his Automatic Mail Sorter. As with a significant number of his creations, the Sorter did work, but the implied distortion of space-time created some side effects, including the Sorter’s ability to sort mail (i.e. output sorted letters) that had not been written yet or might never be written.
https://en.wikipedia.org/wiki/Technology_of_the_Discworld#Bloody_Stupid_Johnson

This has dazzling ramifications for the Westminster Plan to Make Britain Best Blighter Again, a slippery beast that no one person knows in its entirety and does not exist in the conventional sense. So, if we can distort the fundamental rules of space-time, the Plan may actually work, for certain values of ‘work’, and of course with some interesting side-effects.

The fact that [Johnson] continued to receive commissions after the defects in his abilities became apparent is considered to be the ultimate expression of the apparent thinking behind the Victorian follies, i.e. an indication that the person commissioning the work can afford to waste money like this.
https://en.wikipedia.org/wiki/Technology_of_the_Discworld#Bloody_Stupid_Johnson

This is the first rational explanation for Brexit. Commissioning irrational, inept, inarticulate people to deliver this historic act of self-harm is the ultimate expression of British power. “We are so {insert current promotional superlative} we can afford to squander and destroy vast swathes of our resources and opportunities.”

No drawbacks really, just excepting that tiny wee issue: THIS ISN’T A FANTASY WORLD. It’s enough to make you wish for a transparent tyrant in the style of Lord Vetinari, but that’s just my personal fantasy.

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