Digital Ischemia

16/10/2018

BBC Bureaucracy

Another vaguely anticipated episode in my Truthache series of surreal petty vengeance: Merv is piqued by non-contact forms

Merv recently got himself jammed in the most beautiful cul-de-sac of e-pistles, most of the pistle being in the wind. Being an attentive sort, back in April he noticed that BBC Radio programmes suddenly lost their track timing flags. A heinous state of affairs. How can he browse through his HypeLayer and land neatly in the tee-up to a nice reliable bit of Chopin or Placebo without any indication of when in the three-hour timeline this is?

Unpleasant incidents resulted, such as him plunging into some contemporary experimental effort and becoming transfixed by the phased percussion like a chicken rendered catatonic by a vertical line. A virtuoso organist peddling away with unnecessary vigour caused such a thrum in the bass speakers that Merv’s tank-top unravelled and Aunty Spamela’s begonias wilted.

Once recalibrated, Merv’s fluids began to circulate again. He found his Wi-Fi web wireless has little letterboxes with messages encouraging you to punch in your thoughts. He summoned his best letter-writing etiquette.

April 20
Merv: Why?
Devoid O’Smairts, BBC HypeLayer support team: We are aware of similar reports of this and we are currently investigating. We appreciate you bringing this to our attention and we hope to have it sorted soon.

Some time passed, much of it spent extracting Merv from unintended-track-induced infinite mental loops. But the sizzling at the very base of his primitive brain had not dissipated.

May 08
Merv: Please could you let me have an update on this case, or any indication of the expected timeframe?

Merv’s inbox remained populated only by an animated gif of tumbleweed. He resorted to polite threats.

June 09
Merv: If I get no response this third time of asking I feel I should escalate this query to a complaint.
Devoid O’Smairts: “Thanks so much for contacting us again. Since our last response, we’ve removed the timings for radio programmes due to rights agreements with record companies. We do apologise for any inconvenience caused by this, and the delay in getting word back on the issue. We hope this offers you clarification about the timings. We do take on board that you are unhappy about their removal and we will be sure to take on board your comments. Your comments will be included into our dedicated HypeLayer feedback reports which will be sent to BBC HypeLayer Management and other relevant teams to help with any future decisions and developments of BBC HypeLayer Services. Hearing from our audiences is greatly important and your comments can be used to improve our services. So, your feedback can make a real difference and we appreciate you taking the time to contact us. Thanks again for getting in touch.

That’s a lot of taking on board. Merv felt quite water-logged. We wondered if they had run aground and their hull had been breached. He appreciated all their lots of appreciation for helping them deteriorate their service. And clarification? Not by Merv’s dictionary. His blood fizzed for three weeks.

June 29
Merv: I am astonished at how difficult you make it for me to get an answer to a simple, reasonable question. The obfuscatory nature of the eventual answer leaves me disappointed and suspicious. Please can you answer my query?

July 05
Devoid O’Smairts: We were not longer able to continue have timings that linked up with commercial tracks in order to avoid any breaching any restrictions we had with record companies. Although it was only commercial tracks that were affected by these timings issues, we had to disable the feature altogether as it could not only be enabled for our tracks and disabled for commercial tracks.

This is plainly not plain English. Record companies reckon they’ll sell more ‘down-low-discs’ if listeners have to hear random tracks, rather than those they’re interested in? Interesting strategy. Sounds like the death grasp of a dying industry, built on building up fledgling performers to giddy heights of instant popularity in order to legally fleece those same performers on their built-in obsolescent decline, but which had not foreseen the digital age.

July 13
Merv: This still doesn’t explain why this would be in the commercial interest of record companies. What ‘restrictions’ in your agreement with them require this?

More than three months into this farce, Merv received a message from a market research company seeking more of his thoughts. He let rip. This triggered a cascade of phone interview, videocall with lab-rat tests (to confirm that he, like 87% of the audience, is harmlessly entangled and rendered inert by trying to navigate the website) and finally an invitation to an actual BBC location (secret).

We retired to the shed. Merv was in tatters, and not just from loss of tank-top integrity. He has a fear of institutions ever since being locked in his school on four occasions due to spending too long in the lavatory after home economics. One by one the lights went out while he was having arse collapse. He remains understandably traumatised and always carries a candle and matches when he’s away for a session. I daren’t, er, stoke the flames by raising the issue of what might happen should he actually strike a match in such circumstances.

Not to put too much gloss on the mission, I had to be David to BBC Goliath.

In the holding area—given some nauseating label such as welcome boutique—I lined up alongside my fellow victims. As I tried to tune out Droopy Dorothy and stop screwing up my eyes at Alpha-female Anna, I plunged my fidgeting palm into my pocket. It closed on Merv’s phial. The unknown quantity in the statistic. Had to be.

An utterly bland guy called my name from the doorway. He looked as interested in my input and the whole process generally as a cat. But without any of the cool. As I lurched through the rack of my fellow subjects’ knees, he introduced himself as—would you believe?—Devoid O’Smairts.

My facial expression was a study in passive blankitude. I managed the entire conversation through various degrees of pensive frown. He barely tried to draw me out, other than deciding to tick beside my forename and surname on the assumption that since I had answered to them I must be them. Each time he seemed to be about to wind up proceedings, I shifted and cranked my jaw tantalisingly. He watched me with palpable disappointment. He could have saved himself all this torture if only he’d made up some corporate wank about ‘removing the service provision due to resource streamlining’. We took our leave at a delicious impasse.

In Merv’s honour, I lurked in the toilets a dodgily long time until other members of the interrogation squad ‘passed’ through and loosed their tongues. Nope, sorry, definitely not that sort of diversion. Please concentrate.

Seemingly, after refreshing themselves plentifully with hot drinks concocted from the rolodex of stale sachets combined skilfully with hot water from the urns, the other participants became just as unresponsive as myself. There’s a puzzle.

Merv had not wasted his time either. Using QuackQuackBong (I understand this is a research engine you can hire, which operates rather like an animated Ronald Searle), he ‘harvested’ a code from some knowledgable students in the magic online letterbox. Then, without realising its power, er, penetrated the market people and arranged for all reports on the research to be sent to his own personal dead letter drop. I barely comprehend what he’s up to these days, but surely you can’t do much damage with a radio.

The outcome was spectacularly underwhelming: Devoid O’Smairts had failed to get any response from anyone. Combined with his Service Level Absences, this caused his manager to suspect that he didn’t exist at all and consequently terminate his employment. His redundancy made no difference whatsoever to the non-performance of the website comments process.

Merv finally iced the cake by reweaving the ‘routings’ (he’s gotten right into this ‘coding’ lark; much more fun than listening to the radio, he says) so that commenters receive in reply other commenters’ comments, thereby creating a social broadcasting network. People are being entertained by one another instead of the amorphous bureaucratic behemoth, and a national licence fee boycott is planned for next Saturday.

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15/07/2018

The Tool

Mr Workshop is a new arrival in our quiet, menacing cul-de-sac. He is already an established irritant. He introduced himself by spattering Aunty Spamela’s precious camelias with tiny black beads of undisclosed constituents. They died horribly.

Uncle Merv took a dislike to Mr Power-Tool’s garage activities the first spring. The unpredictable, intermittent noise vibrations caused Merv’s ants to lose all sense of purpose and direction. He empathised fiercely. Their erstwhile orderly conurbation in the shed’s eaves suddenly abandoned strategy for spiralling collisions. And the spiders behaved like they were on caffeine. Their webs were disgraceful. They all became rather hungry. Not evolutionarily successful.

Mr Motorhome ground his engine like a tarmac planer. He parked up at the boundary fence like a grey new build, blotting out the sun. Aunty Spamela, marinating on a layer of aluminium foil like a misshapen offcut of meat-style but utterly bland mycoprotein, cast a warning eye like a mushroom cloud.

Mr Water-Jet proceeded to rattle along the gravel obliviously and commence the water blast and jet pump sonata around the lower regions of the behemoth. After a the first movement, a blissful interval was smothered with a swarm of cigarette smoke. Aunty Spam stood up, foil sticking to her wobbles, and glared at the fence. She seemed to be mouthing something trenchant such as “for goodness’ sake.” Lost to the screech of Mr Mini-Scaffold-for-reaching-the-roof lining up for movement two.

Uncle Merv and I were foutering at the shed’s sarking, trying to attach some memory foam. Merv wasn’t clear on details, but the plan seemed less about aiding memoir and more about muffling ants. I think he was desperate to shield the community from the intolerable noise. Chronic noise stress was epidemic. Merv was already suffering acute seethe. The ants really just needed the vibration of their bodies and whole world to stop.

As I sutured foam and felt together with an unsettling pride, Spamela resettled on her oven tray. Mr Mini-Scaffold screeched around to the Other Side. The water-jet rebound combined with a fascinating mini-cyclone effect from the warm southerly breeze. I watched the symphonic dance of droplets as they embraced the hawthorn and the crazywebs and Spam with a fine mist of soap and dirt. Not welcome.

Next day, Merv and I smirked at the dazzlingly white motorhome. This could only mean imminent departure. Mr Engine-smooth-as-a-tractor revved up and lurched out of his driveway. I was poised, despite the subterranean shudders. Merv nodded to his camoflaged system of old wing mirrors which relayed a nauseatingly distorted image of the offending garage: its side door was wide open. I deflated. Mr Wank-Wagon must’ve just gone for fuel. We waited in a state of jangling tension for a good six hours before the idea occurred that fate might have granted us a boon.

Mr Unfortunately-left-the-garage-side-door-open thundered back into the neighbourhood the following weekend. We had mixed feelings. The absence wasn’t long enough but we were excited for our ingenious denouement.

The potion had worked a treat, although the myriad poisonous vapours in that den had given me pernicious head-swim. I reckon Merv added some of Aunty Spam’s age-defying skin tightener. I’ve never felt so constricted. I think his dose had a waft of eau de pheromone too. Ms Ant-Colony was unable to resist a holiday expedition. With some recent needlepoint practice, Ms House-Spider wove an elastic silk mesh curiously like chicken wire.

One silk thread precisely at tensile limit. One week-of-withdrawal addict’s grasp. One beautifully choreographed cascade of twang, tilt, twirl and trigger. One soft suffocation by non-organically cultivated fungal mycelia. Mr Restless cocooned, clamped and coffined in his own toxic veneered fibreboard.

We left him to chrysalis for a bit.

Me and Merv: the spider and the ant. Petty invertebrate superheroes.

[ Truthache series starts with Entry. ]

24/06/2018

Parabola Hyperbolae

Grudgingly Merv has let me into one of his secrets, i.e. sanity-savers for life married to Aunty Pamela. Below the garage he has been painstakingly excavating a cellar, dungeon, with plans to tunnel to the sea (70 miles).

To date he has surreptitiously emptied several bucketfuls behind the cypress, about a teaspoon at a time, over fifteen years. The whole business is redolent of prisoner’s desperation. His embryonic cavern is currently a shallow pit, but the two of us can sit in it, without getting too intimate, and, crucially, without being detected by Spamela.

Lately I’ve been fixating on why I can’t get into the mindset to transform. I decided to harangue Merv. Unjustified attacks are part of being my sidekick.

I yank the garage door, stride into the gloom and smack my entire body off something. I stagger back. Finding myself outside the door again, I re-try entry. My eyes are adjusting, but again, before I see anything through the murk, I rebound out again.
“Merv!” I hear only an echo. I plough on; I know he can hear me.
“What is the purpose of lights that come on automatically after a power-cut?”
I hear the unmistakable crackle of his jumper building up static. Grudgingly a solid, heavy object drags across the floor. Could be him; could be some new device. No matter. A click heralds the warm-up routine of the fluorescent light strip.

I am gradually introduced to a hall of mirrors: everything behind me spread in front of me, with the aesthetic horror that is Merv translucently mingled through it. Understandably I let out a quavering wail. Thankfully he hauls me into his pit, where we sit silently ignoring my recent unheroic noise. While my retinas restore themselves to factory settings, he explains.

Being shiny and fully focussed, like Merv’s device, you’ve already figured out what it is. Crucially, you’ve also already figured out this plot and where it’s going. But since I haven’t, you may like to stay with me to see if I arrive intact.

This episode isn’t so much an injustice as an irritation, but perhaps I need a wee run-up after my hiatus. Any time we have a power-cut, once it’s restored, the Straight Line Garden People’s garage light comes on. This floodlight illuminates their driveway, front garden, all west facing rooms, the street, our front rooms, and the length of our hall. Merv removed the mirror from the back wall because he felt like he was in the Hadron Collider. Still, I step out of my room into Close Encounters. I feel a strong urge to jump on a camel and ride east.

What’s the problem? They’re on holiday. I care a bit about their electricity bill, and their household security, but then they don’t seem to care that much, since they’ve left the bedroom blind at the usual half-way ‘we’re on holiday so burgle away’ setting. Mostly I care about wildlife with shattered circadian rhythms, and the carbon going in and out of power stations in unhelpful forms and amounts.

What’s the point? That’s the real question. What possible benefit could it confer? The power companies advise us to switch everything off except a hall light so we know when the power’s back without the demand surge blowing it again. Not that anyone does. But why would you want an outside light to come on after a power-cut? I’ve seen rechargeable torches that come on automatically when the power cuts. That’s helpful. You can see where the torch is and lift it to light your way. Dandy. Why after? When you’re two thousand miles away? It’s just a ‘because we can’ techy gimmick, isn’t it?

Merv rigs up his specially curved reflector in the attic window. After a couple of hours without power, Spamela’s fretting about her freezer. We reiterate to her the eight hour rule, but she’s already in crisis scenarios where at the eighth hour mark we suddenly have ten kilos of mushy peas and more subsiding scones than you could sink a barge with. I suggest pea jam. Merv bundles me out of the kitchen.

Merv and I giggle about the place, amusing ourselves trying to think of inventive activities that don’t involve electricity. Ashamedly we can’t. Amusingly we go to make tea to help us think, fill the kettle, flick the switch, then wait for our brains to realise the stupidity. Silly us. Just use the microwave. Er. Error.

Suddenly, since electricity tends not to take a run-up, everything fires up. Merv and I scuttle to the front window with electric antipication, just in time to watch the paint peel. Theirs.

As a bonus, one night I accidentally-on-purpose left the reflector oriented at the back fence. Apparently, when Madame la Every Car Door Must Be Opened And Closed In Anger At 06:35 executed her routine, the cul de sac reverberated with shattering echoes. Apparently she suffered a temporary mild tinnitus. According to Merv, anyway. I slept through the whole thing.

[ Truthache series starts with Entry. ]

20/03/2016

Wearing You Out

Filed under: Shorts — Tags: , , , , , , , , — Teepwriter @ 17:00

You’re nasty, to me.
You squashed the spider, you could’ve put it outside.
It was not in the wrong place, it was doing its best.
But I can slip out of my skin, and float – a moment – then slip back in.
It helps when I get cross, I have a little rest.
I never thought of this before, what if I float across to yours?
I could wear you like a dress, I could work your arms and legs.
So I march you to a cliff, then throw you off.
(I mean throw you off me, not into the sea.)
You’re angry and loud, your skin was too crowded.
I’m not going to fight, you look like you might.
You swipe forward, you lean backward.
No safety net, no spider’s web.
Silly person. The end.

10/01/2016

Chickens

I’m in the chicken hutch again – this is not like the ‘doghouse’; I’m actually toe-deep in chicken shit and damp straw. The chickens huddle and quiver at the other end, blinkingly perturbed. I wish I didn’t keep fetching up here. The hutch is a solid construction, about 8 feet by 4 feet, 5 feet high, and cosy. But bursting out is a considerable effort.

The first time I panicked. The smell tipped me over. I stood up, cracked my head, lurched at the side and continued shoving, thumping and kicking until a couple of panels broke loose and I could squeeze out on to the claw-churned mud. The wobbling, blinking eyes followed.

The second time I was more collected: I put my back into the roof until a corner popped away. I stepped out into the less acrid air, snagged my gown on a nail, lost my footing and arced into the aforementioned mud like a wet sand bag thrown at the water’s edge.

My advantage was being able to beat the roof back down almost to its original position. I’d love to say I wove three strands of my hair around the splintered edges to draw them back together with the skill of a cosmetic surgeon. In fact I placed a sizeable muddy stone on the roof corner four times and four times watched the scunner slide right back off. Casting around in the dark – it being 4:15AM in December – I settled next for—

Crivvens! Is that the time? Here I am wittering on when I should be scuttling to the vaults and fastening the strapping. More anon.

Merv has sophisticated things considerably. However, precision needs some work.

[ Truthache series starts with Entry. ]

13/12/2015

Bark

The dog barks, the bark smokes, the smoke blinds, the blind twitches…

Wood smoke is a homely, comforting smell. Being warm is a fundamental human need; roasted potatoes are a bonus. But no one offers me potatoes. I can’t sleep with my belly empty and my lungs full of smoke.

Police are never exactly welcome: they always bring bad news. This b.n. takes the form of a ‘male tan terrier’. I have to ask because I am not conversant in strains of dog. He’s a foolish example: clearly he has never terried anything in his life. A blonde dishmop. Small. Do I recognise the mutt? Any idea who it might belong to? No, sorry, but if I meet any other dog-danglers I’ll mention it; they seem to pay attention to each other’s accoutrements. Thanks for your time. No bother. As an afterthought, if you’re stuck, you could check if the kennels have lost one. Good idea, thanks again.

Tatty-bye. You got the wrong neighbour here: Uncle Merv could’ve answered your questions much more helpfully. He has his finger on the pulse. Conversely, Aunty Spam would’ve been a tremendous waste of your time, with a china cup of sour tea. Those are the chances you take, knocking doors. Such a sweet neighbourhood that the polis are employed rehoming stray dogs.

Lost your dog, hm? Or did it get away? I didn’t credit it with that much pluck. Shame. Careless. Perhaps if you’d curried more favour with your neighbours and barbecued less resentment. You see, the only two tarnishes on the neighbourhood polish are both bark.

Hardly worth going through all the palaver, but Merv needs a dress rehearsal. He’s put on a clean jumper. Perhaps only because he dribbled gravy earlier, but it gives a keen impression. Merv reminds me of the basics of ventriloquism. It’s no help. I simply need mimicry, as best demonstrated by the bird kingdom. Agility is a bonus.

The prelude: a little powdered moss upon the log pile to create that evocative scent. The main act: canine obscenities from all directions, moving on just before each light flicks on. Curtains open; torches flash out; bickering escalates; doors are flung. Window vents are such a boon: ideal funnels for noise without disturbing the neighbours.

It’s not nice to complain about a single event, without first asking why, like a dog barking one night when a man is away burying his mother. It’s cowardly to make your complaint via an anonymous letter through a door. It’s mean to harangue someone who, despite provocation, comes to apologise and explain. It’s suicidal to cross the kindest, most generous neighbour in the street, without recognising the community spirit.

Welcome to the public domain.

First there’s poltergeist dogs barking all night. No-one else hears them. Then the wood-burning stove suddenly smells so bad. Really bad, like burning flesh. Then the horror of a few tan hairs snagged at the hopper. Moving on so soon? Tatty-bye.

Don’t be ridiculous: tan dish-mop alive and well, living by the sea. A concerned traveller in a clean jumper finds him wandering a couple hundred miles from here and passes him to a local, who hands him in to a dog home. Unfortunately the mutt isn’t tagged, isn’t claimed, but despite all his shortcomings he soon finds caring home.

Most satisfying. The refreshing sensation of lungfuls of clear, silent evening air. Plus a surprise, there on the saw-horse: Merv has left for me a cup of hot milk. How thoughtful. I pour it into the gravel, just in case.

[ Truthache series starts with Entry. ]

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